Today the artist states these works were, in fact, extremely painterly and never intended as a deliberate refusal of the artists who came before him (such as Jackson Pollock and Mark Rothko) but rather as a furthering of their accomplishments. Stella remarked that in his early paintings “What you see is what you see,” a statement that marked a watershed between then-waning Abstract Expressionism and emerging Minimalism and became the unofficial slogan of minimalist practice.Ī legend of Minimalism, Stella would later challenge the principles inherent in that movement.
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The exhibition takes its title from Stella’s now-famous remarks from 1966 that addressed a problem many young American artists were grappling with in the 1960s: what and how to paint in the wake of Abstract Expressionism. Each work in the exhibition, organized chronologically, illustrates an important stage of his abundant and diverse output, which evolved serially: the watershed Black Paintings are followed by shaped canvases, then the vivid geometric works known as the Protractor series, followed by relief paintings that aggressively challenged the most fundamental assumptions about the difference between painting and sculpture, and finally evolving to encompass mixed-media relief and profuse three-dimensional assemblages of metal that flirt with representation. Organized by Janet Bishop, curator of painting and sculpture, the presentation reconsiders Stella’s use of strategic paint-handling from his debut in 1959 to the present and allows the Museum to tell a more complete history of his changing styles and often controversial explorations of formal abstraction.īorn in 1936, Stella is celebrated as one of the most significant and influential artists of the latter twentieth century through today. These eight works were added to SFMOMA’s holdings of nine other Stella works. and Mary Margaret Anderson, followed by six works as gifts and partial Museum purchases, also from the Andersons, and one as a gift from the artist in the Andersons’ honor. The eight paintings are shown together for the first time since they entered the Museum’s collection in 20- Zambezi as a gift in 2001 from Harry W. This focused presentation provides an up-close study of the art of Frank Stella, comprising eight major works that span the artist’s prolific four-decade career. This version in top-quality metal makes its reduced, exclusive mark, without dominating and fitting naturally into the futuristic architecture.The San Francisco Museum of Modern Art (SFMOMA) presents “What You See Is What You See”: Frank Stella and the Anderson Collection at SFMOMA, from June 11 through September 6, 2004. The two interlocking structures are connected on each floor by means of exposed bridges with parapets of glass.Ī prestigious atmosphere is inspired by stylish effects: the “La Stella” apartments are equipped with the classic JUNG LS 990 design switches in stainless steel. The open bedroom on the upper floor of the gallery allows views of the living room below with its adjoining terrace as well as across the airspace to the Principality’s Port Hercule harbour.
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The clean and linear style in the interior of the apartments focuses on reduced design, without forfeiting the highest level of living comfort. The height of the rooms extends up to 5.7 metres. Each apartment has two floors, is four metres wide and thirteen metres long. Above this there are 99 “tube apartments” altogether, distributed over two interlinked sections of this high-rise building on 14 floors.
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The basement below houses an underground car park, which is unavoidable in Monaco, and a gym. The glazed plinth area beneath the building accommodates school and office space up to the second floor. Located in the middle of an intersection, the façade stretches out irregularly, with expressive, white-tiled disc-like ribbons. This building almost looks as if it is swinging. The luxurious hot spot of Monaco is – alongside Singapore and Bahrain – the location with the unsurpassed highest population density in the world. Caetano, have succeeded in an architectural coup that should appeal to younger, solvent clientele. With this futuristic high-rise building project, the architects from the Paris Jean-Pierre Lott office, commissioned by JB Pastor & Fils – M.
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Impressive and almost a landmark, this vivid white sixteen-floor “Le Stella” residential tower swings into the heights in the La Condamine district of Monaco.